Artist Biennial
Reginald Marsh
1898–1954
Biography
With his staccato brushwork and densely packed compositions, Reginald Marsh captured the vitality of New York in the 1930s. Though born into a wealthy family, Marsh set out to portray everyday urban dwellers—pedestrians, subway riders, Coney Island bathers, burlesque performers, and dance-hall workers. Twenty Cent Movie, like many of his compositions, relies on authentic details—here, the precise imagery, wording, and typeface of the movie marketing campaigns—to activate a sense of realism. A prolific and inveterate sketcher, Marsh made extensive drawings for the composition of this painting, which he based on the facade of the Lyric Theater. The meticulously replicated theater exterior that serves as the painting’s backdrop resembles a stage set, in front of which the scene’s figures are poised for action. The women mimic the fashionable styles of Hollywood actresses, while the man on the far right adopts a self-assured posture in the type of flamboyant suit sported by the gangsters of 1930s cinema. In an era when Hollywood movie stars became national celebrities, Marsh’s characters reflect the bright aspirations projected on the silver screen, but the scene is not without reference to the period’s economic turbulence. The painting’s title, Twenty Cent Movie, reiterated on the box-office sign, alludes to the drop in ticket prices at some theaters to entice an audience during the Great Depression.
Works in the collection
Loco-Erie Watering
Soldiers on Leave
League Print
On the Beach
Tattoo-Shave-Haircut
The Bowery
Theatre Palais Royal
Sidewalk Crowd
Sketch Book Page: Study of Female Nudes
Study for Pip and Flip
Minsky's Chorus
Box at the Metropolitan
Bread Line - No One Has Starved
N. Y. Skyline
(Drawing of Woman with Scarf and Self-portrait Sketch)
Study for Coney Island Beach
(Portrait of a Man)
Study for Skyline from Governor's Island
Study for Harris Theater, New York
(Four Sketches of Two Figures Embracing, Talking to a Third)
Study for Drum Majorette
(Seated Female)
(Standing Man in Overcoat)
Study for Prometheus
A Model for 10 cents
Beach Scene
(Sketches after Rubens)
Study for U.S. Post Office Mural, Washington, D.C., S.S. President, Removing Mailbags from a Liner
(Four Figures on a Beach)
Architectural Study for High Yaller
(Reclining Nude)
(Standing Female Nude)
(Sketches after Titian and Other Artists)
(Hat Displayed)
(Street Scene Marseille)
(Nude Male Figures) and Study for Prometheus
(Zayda in Subway)
(Perspective Study with Figure Sketch)
Sketches after Rubens
No Turns Permitted
(Portrait Head of a Woman)
Study for Girl in Fur Jacket Reading Tabloid
Study for A Morning in May
(Portrait Drawing of a Man)
Study for U.S. Post Office Mural, Washington, D.C., S.S. President, Removing Mailbags from a Liner
Matinee
Lunch
The El
Sketch after Moise Sauvé des Eaux by Poussin
The Bowery - Strokey's Bar
Crowd on a Street at Coney Island
Ten Cents a Dance
Study for Coney Island Beach
Study for Frozen Custard
(Four Sketches of an Embracing Couple with Third Person)
Study for Union Square
Death Avenue
(Two Figures on a Beach)
(Mink and Mannequin)
Study for New York City from Governor's Island
Showing the first 60 of 190 works. Browse all 190 →
Exhibitions at the Whitney
- Where We Are: Selections from the Whitney’s Collection, 1900–1960 2017-04-28 – 2019-06-02
- The Whitney's Collection 2015-09-28 – 2016-04-04
- America Is Hard to See 2015-05-01 – 2015-09-27
- American Legends: From Calder to O’Keeffe 2012-12-22 – 2014-06-29
- Breaking Ground: The Whitney’s Founding Collection 2011-04-28 – 2011-09-18
- Modern Life: Edward Hopper and His Time 2010-10-28 – 2011-04-10
- Modernisms 2007-08-29 – 2008-01-13
- Benton and America in the 1930s: Works on Paper 2004-05-20 – 2004-09-05
- To Be Human 2003-07-12 – 2003-10-26
- Highlights from the Permanent Collection: From Hopper to Mid-Century 2000-02-26 – 2006-05-21
- Permanent Collection 1998-04-04 – 1999-03-28
- An American Story 1996-03-20 – 1996-09-29
- Collection in Context: Gertrude Vanderbilt Whitney: Printmakers' Patron 1994-12-15 – 1996-04-21
- In a Classical Vein: Works from the Permanent Collection 1993-10-18 – 1994-04-03
- Reginald Marsh: Selections from the Bequest of Felicia Meyer Marsh 1979-06-13 – 1979-08-26
- Reginald Marsh 1955-09-21 – 1955-11-06
- 1954 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings 1954-03-17 – 1954-04-18
- 1953 Annual Exhibition of Contemporary American Painting 1953-10-15 – 1953-12-06
- 1952 Annual Exhibition of Contemporary American Painting 1952-11-06 – 1953-01-04
- 1952 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings 1952-03-13 – 1952-05-04
- 1951 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings 1951-03-17 – 1951-05-06
- 1950 Annual Exhibition of Contemporary American Painting 1950-11-10 – 1950-12-31
- 1950 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings 1950-04-01 – 1950-05-28
- 1949 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings 1949-04-02 – 1949-05-08
- 1948 Annual Exhibition of Contemporary American Painting 1948-11-13 – 1949-01-02
- 1948 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings 1948-01-31 – 1948-03-21
- 1947 Annual Exhibition of Contemporary American Painting 1947-12-06 – 1948-01-25
- 1947 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings 1947-03-11 – 1947-04-17
- 1946 Annual Exhibition of Contemporary American Painting 1946-12-10 – 1947-01-16
- 1946 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings 1946-02-05 – 1946-03-13
- 1945 Annual Exhibition of Contemporary American Painting 1945-11-27 – 1946-01-10
- 1945 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings 1945-01-03 – 1945-02-08
- 1943 Annual Exhibition of Contemporary American Art 1943-11-23 – 1944-01-04
- 1942 Annual Exhibition of Contemporary American Art 1942-11-24 – 1943-01-06
- 1941 Annual Exhibition of Contemporary American Sculpture, Watercolors, Drawings and Prints 1941-01-15 – 1941-02-19
- 1940 Annual Exhibition of Contemporary American Painting 1940-11-27 – 1941-01-08
- 1940 Annual Exhibition of Contemporary American Art 1940-01-10 – 1940-02-18
- 1939 Annual Exhibition of Contemporary American Watercolors 1939-02-22 – 1939-03-15
- 1939 Annual Exhibition of Contemporary American Sculpture, Drawings and Prints 1939-01-24 – 1939-02-17
- 1938 Annual Exhibition of Contemporary American Painting 1938-11-02 – 1938-12-11
- 1938 Annual Exhibition of Contemporary American Sculpture, Watercolors, Drawings and Prints 1938-03-08 – 1938-04-10
- 1937 Annual Exhibition of Contemporary American Painting 1937-11-10 – 1937-12-12
- Third Biennial Exhibition of Contemporary American Painting 1936-11-10 – 1936-12-10
- Second Biennial Exhibition: Part Two—Watercolors and Pastels 1936-02-18 – 1936-03-18
- Second Biennial Exhibition of Contemporary American Painting 1934-11-27 – 1935-01-10
- First Biennial Exhibition of Contemporary American Sculpture, Watercolors and Prints 1933-12-05 – 1934-01-11
- First Biennial Exhibition of Contemporary American Painting 1932-11-22 – 1933-01-05