Artist

Diane Arbus

1923–1971

40 works in the collection 9 exhibitions at the Whitney

Biography

Diane Arbus’s photographs convey her unique vision of a time and a place— the period from approximately 1958 to 1971, primarily in and around New York— through intimate portraits of an array of strangers, acquaintances, and relations. Arbus wrote: “For me the subject of the picture is always more important than the picture. And more complicated.” The daughter of a wealthy New York family, Arbus became involved in photography with her husband, and the couple established a fashion photography business in 1946. She concurrently pursued her own photographs, but study with the groundbreaking photographer Lisette Model in the late 1950s precipitated a turning point in her work. In 1959 Arbus left her husband, moved to Greenwich Village, and began to concentrate on street photography of people she encountered throughout Manhattan; some of these images, taken with a 35mm camera, were published as photo essays in Esquire and Harper’s Bazaar magazines. Arbus’s mature style developed after 1963, when she used a medium-format Rolleiflex camera, which resulted in a distinctive square format, and often a strobe.

In Patriotic Young Man with a Flag, N.Y.C., Arbus isolates a demonstrator at a pro–Vietnam War rally in dramatic close-up, the harsh flash capturing his contorted expression, which, juxtaposed with a button declaring “I’m Proud,” offers a discomfiting vision of patriotism. In another distinctly American portrait, A family on their lawn one Sunday in Westchester, N.Y. presents a suburban family on their lawn; “The parents,” Arbus wrote, “seem to be dreaming the child and the child seems to be inventing them.” Although she worked for just over a decade (she committed suicide in 1971), Arbus produced some of the most searing images in the pantheon of photography.

Works in the collection

Exhibitions at the Whitney